Kids,

We're in the process of putting together the program for the 2007 Anti-Corporate Film Festival (Oct. 19-21, www.countercorp.org), and are inviting cinema-savvy folks such as yourselves to recommend Middle Eastern (or Southwest Asian*) films that include some elements or themes on how corporations affect our lives.

These can include feature-length and short documentaries and narrative (fictional) film, as well as animation, experimental works, etc. — pretty much anything you can think of with the elements/themes mentioned above. The only caveat is that foreign-language films need to have English subtitles.

If we end up screening a film that you suggest, we'll give you TWO FREE TICKETS to *any* film at this year's festival. (If two people suggest the same film, the first suggestion we receive wins the tickets if we end up screening it.)

The fastest way to send us your suggestions is directly to the festival at submissions@countercorp.org. You can also post your suggestions in reply to this post, but our all-volunteer staff cannot check all of the Tribes we are members of every day (unlike e-mail).

Thanks, and look forward to hearing your suggestions!


* [In graduate school they taught us that "Southwest Asia" was the way to refer to the Middle East without doing so in relation to Europe, which is where the term "Middle East" comes from ...]
posted by:
CounterCorp
SF Bay Area


  • a film written by
    Abbas Kiarostami

    Men At Work-
    A political allegory on four middle-class guys who pile into their car for a ski weekend. A brief stop at a picturesque vista leads to their chance discovery of a prominent rock formation and try to tip it over.


    or one written by and directed by Kiarostami which I'm sure every one knows about is

    Taste of Cherry.

    also

    two films by Mohsen Makhmalbaf

    Kandahar

    Nafas (Niloufar Pazira) is a reporter who was born in Afghanistan, but fled with her family to Canada when she was a child. However, her sister wasn't so lucky; she lost her legs to a land mine while young, and when Nafas and her family left the country, her sister was accidentally left behind. Nafas receives a letter from her sister announcing that she's decided to commit suicide during the final eclipse before the dawn of the 21st century; desperate to spare her sister's life, Nafas makes haste to Afghanistan, where she joins a caravan of refugees who, for a variety of reasons, are returning to the war-torn nation. As Nafas searches for her sister, she soon gets a clear and disturbing portrait of the toll the Taliban regime has taken upon its people. Written by Ørnås


    &

    The Cyclist

    The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit promoter who sells tickets to watch Nasim ride a bicycle continuously for a week. The promoter brings in sick and aged spectators, haranguing them to find hope in Nasim's strength. Aided by his son, who feeds him as he rides, Nasim grinds out the days and shivering nights. Local officials believe this may be a plot and Nasim may be a spy; they try to sabotage him as do those who bet he won't finish the week. Will desperation alone get Nasim the money? Is any triumph an illusion? Written by {jhailey@hotmail.com}


    and a film written by Mohsen Makhmalbaf and directed by his daughter or I was told is his daughter Marzieh Meshkini

    The Day I Became a Woman

    This is the story of women at three stages of life in Iran. The first part centers on a young girl on her ninth birthday who is told that she can no longer play with the boys she had been playing with only the day before because she is now a "woman". Told from the perspective of a nine year old "woman" who does not feel like or know what that label refers to, we see how devastatingly this affects both the girl and the boy with whom she had been friends. The second part is about a young woman who decides to enter a bicycle race against her husband's wishes. As first the husband and then increasing numbers of men from the village ride beside her to convince her to return home, the race begins to symbolize a freedom she desperately wants from the limitations which have been placed on her. Finally, the third part shows us an old woman who has come into some money and is now free to do what she wants. The way she chooses to use this freedom, however, makes one wonder just how free she is. Written by Jonathan Beebe {jrbeebe@midway.uchicago.edu}

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